09-26-2015
Back again: for those of you who have never bought one of our e-books, there now is a way to do a test purchase for free. Go to the shop, follow the instructions and download Black Women in Bondage for $0.00. This way, you can see if you like the way things are organized, the look of the books etc. There is also a new anthology book, Short Comics 4: three six page comics, go have a look.
Furthermore, there is an update in Tickle Art.
Until next time,

CBAP

09-23-2015
Hello CBAP people! As you may have noticed, some things have changed in the Shop. The little example booklets which we used as previews for our PDF books were no longer compatible with the system our site is running on. But not to worry: we're working hard to replace them with a new form of pre-presentation, in the form of a small gallery for each and every book! Right now, almost half of the work is done, and in the technical department everything humanly possible is done to assure that in one or two weeks you should have full access again to the previews. Bare with us! Meanwhile, go read our newest short story: Kidnapped!
Untill next time,

CBAP

09-19-2015
Hello and welcome to the site again! In recent months, our numbers of visitors has been rising considerably, for which we want to thank you; we are going to try to sustaine this trend! This time, there's a new POW cover in NEW.
Also, there has been a new section added to the members menu: the Tickle page! Like with the Bodybuilders in Bondage subject, we have decided to give our tickle lovers their own space on the site. Now, this page will be updated seperately from New, sometimes with whole new work, but also with work that many of you may not yet be familiar with: work that Coco has made years ago for our friends at MTJ.
Until next time,

CBAP

09-10-2015
Hello! Normally, when I work out a drawing, or even if I'm just making a loose sketch, I work from the upper left to the right lower corner. This makes sense, because you can constantly see what you have done before and take that into consideration while further developing or rendering the piece. Also, most of the time, I have my light coming in from the left hand upper corner, because I use the white of the paper for my lightest parts, in case of, for instance a pen and ink drawing, and I can put in the darker spots and solid blacks going down, again being able to check what has already been done.
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