06-15-2016
Hi,
In the latest update in IDTSMD the action takes place in a basement. I must say: this is one of my favorite environments to use in a comic. Let me explain. Whenever you do a comic strip as an artist, you have to make up your mind about the place of action. Is it indoors or outdoors? If indoors, is it in a room, or in an office, or a shed? Whatever you choose, there is always the problem of consistency. When the protagonists are in a particular room, it is important, for the sake of realism, that the pieces of furniture stay in their places relative to one and other.
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06-08-2016

Hello everyone! There are updates in the Sketch page, the Gifs, and the Tickle page.
AND there is a new page in the IDTSMD comic. So go check it out; untill next time,
wishing you all the best,

CBAP

06-01-2016

One element I always love in any bondage scene, is when the models feet leave the ground. Wether through suspension, or floating, or being lifted, it always is such an immediate disadvantage to the victim. This is even true when him or her not being able to reach the floor is not being caused by the actual bondage, like just being forced to sit on a high stool or a table. I have mused a bit over that in the workfloor some years ago.
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05-23-2016

Hello! Perhaps you have noted our latest addition to the shop, the Work floor book 1. I wanted to chat a little about that here. The Work floor was a section I started way back in 2003, and I kept it going to about 2012. It was my first attempt to get a bit more personal, sharing some of my thoughts about drawing, illustrating and the wonders of bondage in general. I wanted to show how I did things, and more important: why I did things, why I made certain choices. Now, for this editorial, I would like to take this up again, and do something of a work floor page 2. In the book I explain that in rendering, I always work in the same way: from the upper left corner down to the bottom right. It makes sense because that way you can always keep track of everything you have been doing up until then, and you can balance things out in tone, light etc.
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