editorial
The Menace
1-12-2015
Hello again! First of all, a point of order: the old Cocoproductions site is now officially down and off the net. We invite our few friends who still subscribed to it to subscribe anew here, to become a member of our current site: Coco Bondage Art Productions! Welcome aboard! Furthermore, there is a new short story: The Present, in New. And then now, a word from Coco.
Some time ago, I came accross the art of a guy (presumably) who goes by the name of Kiff57krocker, which I liked a lot, and which brought back really ancient memories for me.
Shifting Ideals
1-4-2015
I've been drawing pictures for as long as I can remember, but the fact that I have been going on doing it, and not have given it up after childhood, like so many,has a lot to do with one subject: bondage. It found it's way into my early doodles when I was about twelve years old, I think, and it started because, although I was inspired by some scattered images I had found, and some scenes on television, I couldn't find what I was really looking for, so I started picturing it myself.
What I wanted to see, was the dominated party, dominated (I've wrote about this before, and I won't go into details here). A consequense of that was that from early on, I liked to draw physically strong girls and women, tied up and helpless, and not liking it. In those days (as today, for that matter) I was quite inspired by women in for instance athletics, or gymnasts or swimmers, to name a few sources.
Happy New Year!
Stocks in a Box
Hello everyone,
I'd like to tell you something about a contraption I came accross at the web a few days ago, which I found fascinating. First of all, if you are familiar with my work even slightly, you'll know that one of my (many) favorite subjects is the 'equalizer' aspect of certain stockades or other contraptions. The fascination lies in he fact that whoever you put into them, young, old, strong weak, small, large: it doesn't matter: they all end up in the exact same position. Although this would suggest an interest in the objectification of the models, I would not embrace that completely: part of the fun is that the separate individual models recognize the denigration of the uniformity, but then again, perhaps lovers of objectification would make the same claim? I don't know; I'm no expert in that field.
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